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The Book
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TABLE OF CONTENTS

This
book will benefit people of all ages
in all places. No benefit comes from
telling kids that drugs are bad.
That statement often encourages
further questions and simple forms
of rebellion. It also provides no
guidance for the typical person who
is likely to try something that
neither their parents nor their
teachers taught them how to try.
Through “How To Have Fun and Not
Die” the writer relates to his peers
with honesty and without judgment.
Accidental Overdose
The core of the book's focus is
the accidental overdose caused by
particular combinations of legal and
illegal substances. The chapter
called “drug
combinations” is in the form of
a list. Not only does it serve as an
invaluable reference guide that can
save a person’s life by changing
what was a seemingly insignificant
decision they were going to make
that evening, but it also sets the
underlying theme that the slightest
difference in a situation can be the
difference between living and dying.
Whether it is the cutting agent that
is mixed with cocaine, the chemical
make up of a person, the surrounding
environment of a person on an acid
trip, or what over-the-counter
headache medicine one takes after a
night of drinking and pill popping.
The simplest, most general goal of
this book is to make people think
about what they are doing, before
they do it.
How
to do Drugs
If this
book had a more conservative title,
it would be called “How To Survive
Adolescence.” While it intelligently
branches out a bit from its origin,
all the issues covered are in some
way related to drug experimentation.
Possibly the most interesting
chapter and one of my favorites is
called “How to do drugs,” which was
originally titled “Impacts of
Different Ways of Doing Drugs.” It
gives a detailed discussion on how
different routes of administration
can cause the same drug to have
severely different effects. Not one
kid I’ve spoken to has even a vague
conception of the technical
difference between swallowing his
prescription medication as opposed
to chopping it up and snorting it.
On the seemingly less serious, more
entertaining side, there is the
chapter called “celebrity
overdoses,” which is a list of
recognizable names and how each
individual met his or her demise.
Some intentional, some
unintentional, all are great
examples that when grouped together
draw a clear picture of some of the
easiest, accidental ways to end your
life. A common one is passing out
and then choking on your vomit,
which serves as a smooth transition
to the chapter called “Pulling the
Trigger.” This chapter discusses the
importance of being able to make
yourself vomit if you are too drunk.
And consistent with many passages in
the book, you are told a thorough,
entertaining story which also
provides instructions on how to
efficiently perform the task at
hand.
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